‘What’s the Buzz…’ Jesus Christ Superstar, Orchard Theatre, West, Dartford. 15.10.2025
“Jesus Christ Superstar” has enjoyed a number of high-profile revivals in recent years and continues to be a popular choice for amateur dramatic societies. Its powerful music, timeless themes, and flexible staging make it a perennial hit with both audiences and performers alike. Tonight it was Dartford Operatic Dramatic Society’s time to bring this rock musical to life. A rock opera musical by Andrew Lloyd Webber and Tim Rice. It tells the story of the final week of Jesus Christ’s life, focusing on the emotional and political struggles leading up to his crucifixion.
In this production, the director and choreographer Amy Farlie deliberately moved away from a traditional biblical portrayal, instead reimagining the story within a modern context. Drawing parallels with today’s society, the show explores themes such as antisocial behaviour, civil unrest, and the pervasive influence of technology—particularly the way mobile phones are used to film, expose, and exploit moments of vulnerability. This contemporary lens adds a powerful edge to the timeless story, making it both thought-provoking and disturbingly familiar.
Kieren Manning in the role of Jesus delivered a vocally strong and emotionally resonant performance, showcasing an impressive range and clear musical ability. His rendition of Gethsemane was particularly powerful, capturing the anguish and intensity of the moment with conviction and control, and giving the audience a glimpse of his true potential. At times, his acting felt a little tense and slightly forced, with some stiffness in physicality and expression. With growing confidence and a bit more relaxation on stage, his performance could become even more natural and impactful. Nonetheless, this was a commendable portrayal, and his vocal talent laid a strong foundation for a compelling interpretation of this complex role.
The role of Judas was tackled by Paul Farlie with great energy and commitment, and the performer brought a strong vocal presence to the stage. He showed clear emotional investment in the character, with moments of real intensity and conviction. Vocally, he demonstrated a solid range and some impressive moments of power, though at times, his voice strained slightly when reaching for higher or more forceful passages. With a little more vocal control and ease, particularly in those demanding sections, his performance could become even more polished. That said, his passion and drive were unmistakable, making his portrayal both compelling and memorable.
Another few mentions would be that of Annabelle Storey in the role of Mary Magdalene, she was a standout, bringing a calm presence and emotional depth to the stage. Her voice was beautifully suited to the role, with a warm tone and control that made her solos a highlight—particularly I Don’t Know How to Love Him, which was delivered with sincerity and vocal clarity. Her dedication to the role was evident throughout. However, a stronger sense of connection or relationship with Jesus would have added more emotional weight to her performance. The staging of her main solo, with her alone on stage, missed an opportunity to visually or emotionally explore that bond, which could have deepened the impact of the moment. Nonetheless, it was a thoughtful and well-sung portrayal. That said, her duet with Peter played by Ethan Oswald, Could We Start Again Please, was a personal highlight. The two voices blended seamlessly, creating a tender and heartfelt moment that stood out in the production.
Although a huge ensemble piece this musical do have smaller parts that allow performers to gain their presences on stage. To do it in one song is hard, but John Woodley in the role of King Herod stole the second act with his great portrayal of the character and a personal highlight in the whole performance, he defiantly shone in that blue suit! Along with that each member of the ensemble were strong and remained a huge part of this production, showing all the emotions of the apostles and followers, but also betrayers to Jesus. There voices were strong and all worked well together, which I am sure was well assisted by Musical Director Steve Trill.
It is always amazing to see amateur dramatics, which I will always support – having been on the other end or rather up on the stage! A chance for local talent and allow people to enjoy doing what they love which was displayed clearly tonight.
Playing at the Orchard Theatre until Saturday 18 October, for ticket information go here. There next production is We Will Rock You, playing in April.
